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Showing posts with label Insecure Writer's Support Group. Show all posts
Showing posts with label Insecure Writer's Support Group. Show all posts

Wednesday, 7 August 2013

IWSG - Revisions, Restorations, and Reactions

Posted on 00:43 by Unknown
I used Grammarly to grammar check this post, because you're two busy too no its hear were are lye's our.





The Insecure Writer's Support Group is a once-monthly blog hop hosted by Alex J. Cavanaugh that provides authors with an avenue to share their doubts and concerns (without fear of appearing foolish or weak), and to offer one another assistance and guidance. It’s a safe haven for insecure writers of all kinds!



Every first Wednesday of the month we gather to connect with one another and share our insecurities.



I've been working on a story lately, one that I originally wrote as a novella, later revamped as a magazine-length short story, and am now revisiting as a novella once again. Over the course of my obsessive edits I've shifted the POV, added/removed characters, and even changed the identity of a primary character. It's an interesting exercise, and thought I'd share the opening scene from each, just to see if you, as readers, have a preference.





NOVELLA




Three, maybe four, floors later, the elevator shudders
and rocks. It groans, as if fighting against something in its way.


Kate instinctively moves away from the fat bastard to
her left. She slips a tissue from inside her blouse and uses it to grab a hold
of the rail. It never crosses her mind that they might get stuck, or injured in
a fall. She simply doesn’t want to stumble into the mountain of lard, the
grubby little secretary, or the geek with the cheese stains. The guy working
the door – Steve, she thought he’d said – might be worth a tumble, but she would
let him come to her.


The lights flicker.


Something squeals. Mechanical at first, it gave way to
an ear-piercing scream, matched by an all-too-human wail as the new guy throws
himself at the doors. “No! Don’t like this! Want to get—“


The lights dim. Something outside the elevator howls
in protest.


Her hands are beginning to sweat. Dinner is churning
uncomfortably in the greasy pit of her stomach. She seriously considers using
both hands to hold on, just in case.


Bare hands, even, if need be.


SQUEAK-CRUNCH-BANG!


The elevator comes to a sudden, jarring halt. Feet leave
the floor. Bodies tumble every which way. Flesh bounces off flesh, into the
walls, and off flesh again.


Fortunately, with her scant hundred and seven pounds
stretched across a six-foot frame, she doesn’t present much of a target. In the
blind eternity of the moment, she feels somebody’s arm sideswipe her breast. A
stray foot glances across her polished, Italian leather pump. A metal zipper
scratches the back of her hand as somebody’s crotch slams into it, pinning her
arm against the rail.


She loses her purse in the confusion and immediately
lunges for the floor.


That is probably all that saves her from the rolling
tide of flesh that washes past her head instead into it. It swamps one of the
other passengers. Judging from the muffled, wordless howls coming from beneath,
it is likely the nerdy little freak.


A few seconds later, and it’s all over.


Kate pushes herself up off the floor. She’s broken a
nail – there was fifty bucks wasted – and her hair must be an absolute mess. In
the dim, flickering light, she can see a streak of orange across the cuff of
her jacket, and another on the back of her hand. Somebody was going to pay for
this mess, and it sure as hell wasn’t going to be her. The rough framework of a
lawsuit is already sketching itself in the back of her mind by the time she
regains her feet.


“Are you okay?” Steve looks a little worse for wear,
but seems to be managing fine. There is a trickle of blood on the knuckles of
his right hand, but at least he had kept his bodily fluids to himself.


“Yes. Thank you.”


The girl kneeling beside her giggles. “I think we’d
better help him.” She actually giggled. “He may not survive for long down
there.”


“Ugh.” Simply impossible. Kate steps back from the
jumble of bodies and watches as Steve and the other girl work to free the
skinny little nerd. Utterly disgusting. She doesn’t have anything against
physical exertion itself – she does a thousand calories on the cross-trainer
every morning – but there is a time and place for everything. Sweat belonged at
the fitness club. Either that, or in the sheets of a lover’s bed. In either
case, it certainly has no place beneath a silk blouse or a finely tailored
Farczagoni suit jacket.




The lights cease their flickering, but they are
certainly dimmer than before.







SHORT STORY




The elevator shuddered and rocked. It groaned, as if
fighting against something in its descent. I stared at the shadowy, distorted
reflections doing their best not to stare back at me from the polished steel
doors. From what I could see, nobody else had noticed the irregularities of our
descent.


Stephen was deliberately avoiding me. He was standing
as far away as the cramped space would allow, staring at the ceiling. That was
okay. He’d be forced to acknowledge me soon enough.


I had no idea who the fat bastard with the
cheese-doodle stained hands was, but I figured the centre of the elevator was
the best place for him, at least in terms of balance. He was muttering
something to himself and chewing on his bottom lip. Oh . . . and, for some
reason, he kept his back to the doors. I half expected him to pull a knife on
me.


So far, he hadn’t even made eye contact.


Kate, the skinny bitch in the opposite corner, I knew
very well. She, as much as Stephen, was the reason I was here. The reason
everything that was set to happen, had to happen. Oh, she could pretend as if
she didn’t have a care in the world, play the game of ignoring me, as if we
hadn’t met a dozen times before. She knew damn well why we were here.


We passed the nineteenth floor. I stepped casually
away from them all – or as much as the cramped confines of the elevator would
allow. I slipped a tissue from inside my blouse and used it to grab a hold of
the rail. Between the methadone clinic, the legal aid office, and two call centers
in the building, far too many unsavory people had ridden the elevator today.


The lights flickered.


Something banged.


The sound was mechanical at first. It gave way to an
ear-piercing squeal, matched seconds later by an all-too-human wail.


The fat bastard was moving.


He’d noticed.


Bad timing.


He threw himself at the doors. “No! Don’t like this!
Want to get—“


The lights dimmed. Something outside the elevator
howled in protest.


My hands were beginning to sweat. I seriously
considered using both hands to hold on, just in case. Bare hands, even, if need
be.


SQUEAK-CRUNCH-BANG!


The floor fell out from under my feet. The elevator
came to a sudden, jarring halt. Bodies tumbled all over. Flesh bounced off
flesh, into the walls, and off flesh again. Fortunately, with my hundred and
twenty-eight pounds stretched across a six foot frame, I didn’t present much of
a target. In the blind eternity of the moment, I felt somebody’s arm sideswipe
my breast. A stray foot glanced across my polished, black leather pumps. A
metal zipper scratched the back of my hand as somebody’s crotch slammed into
it, pinning my wrist awkwardly against the rail.


I lost my purse in the confusion and immediately
lunged for the floor.


That was probably all that saved me from the rolling
tide of flesh that rolled over my head. Instead of dragging me under, it
swamped one of the other passengers. Judging from the muffled, wordless howls
coming from beneath, it was likely Kate.


I really hoped it was Kate.


A few seconds later, and it was over.


“Damn.” I pushed myself up off the floor. I’d broken a
nail – there was fifty bucks wasted. My hair must have been an absolute mess.
In the dim, flickering light, I could see a streak of powdered cheese across
the cuff of my jacket, and another on the back of my hand.


“Are you okay?” Stephen looked a little worse for
wear, but seemed to be managing fine. There was a trickle of blood on the
knuckles of his right hand, but at least he’d kept his bodily fluids to
himself. He still was doing his best not to look at me, though.


“Yes.” I spat the words out. “No thanks to you.”




The lights ceased their flickering, but they were
certainly dimmer than before.




Well, there you have it. Comments, criticism, and praise are all welcome . . . and not necessarily in that order! :)
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Wednesday, 3 July 2013

IWSG - Digesting Feedback

Posted on 03:41 by Unknown


The Insecure Writer's Support Group is a once-monthly blog hop hosted by Alex J. Cavanaugh that provides authors with an avenue to share their doubts and concerns (without fear of appearing foolish or weak), and to offer one another assistance and guidance. It’s a safe haven for insecure writers of all kinds!



Every first Wednesday of the month we gather to connect with one another and share our insecurities.



I've been extraordinarily fortunate to have nurtured a few new writing friendships this year, swapping market info, publisher feedback, and submission calls on a regular basis. Taking that a step further, I've also been fortunate to find a like-minded critic in one particular friend, somebody with whom I've become quite comfortable exchanging works-in-progress. Harry and I have very different styles, but a common interest in the dark and the surreal.



Of course, inviting honest feedback also means opening yourself to criticism. As much as we all want to be told "It's fantastic," that has little value beyond the artificial confidence boost. If you want to get better, to polish your writing in pursuit of "fantastic" then you need constructive criticism. Everybody digests that feedback in their own way but, for what it's worth, here's my approach:






  1. Read the comments, the good and the bad, and then walk away.

  2. Allow a day or two for your subconscious to work through those comments.

  3. Sit down and review the red-line edits, from beginning to end. Read the comments again (this time, in context of the deeper feedback). Review the red-line edits again (keeping the high level feedback in mind).

  4. Decide what your priority is going to be, and whether you think tweaking is in order, or a complete rewrite.

  5. Get it done.






The only thing worse than working blindly, without the benefit of feedback, is editing blindly, without the benefit of your best judgement. Make changes because they're right, and because they're making things better, not simply because they're making it different.
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Wednesday, 2 January 2013

The Insecure Writer's Support Group - 2013 Edition

Posted on 03:13 by Unknown


The Insecure Writer's Support Group is a once-monthly blog hop hosted by Alex J. Cavanaugh that provides authors with an avenue to share their doubts and concerns (without fear of appearing foolish or weak), and to offer one another assistance and guidance. It’s a safe haven for insecure writers of all kinds!



Every first Wednesday of the month we gather to connect with one another and share our insecurities.



For me, the fresh start represented by 2013 is less about insecurity and more about uncertainty. I have three manuscripts out there waiting for feedback - a novel and two short stories - with responses on all three due back this month. It's definitely nerve-wracking, but not in the way many people might expect. It's not so much a fear of rejection or even the prospect of disappointment that nags at me. I've been rejected before, I've been disappointed in the past, and I find I deal with it a bit better every time.



Instead, what bothers me so is my own impatience in being able to get the manuscripts back out there, shopping them around to another market, and finding one that might be more responsive. I can (almost) wait forever for a YES, but if it must be a NO, then I'd rather it be quick, so that I don't lose my own momentum. There's an excitement in being able to put that final period on a story, in being able to declare it finished, and I want to push it, promote it, and share that enthusiasm. I know from experience that the longer the wait, the harder it is to motivate myself again when the time comes, and I don't want to sabotage my own efforts.



In the meantime, I still need to polish off one of my long-lingering short stories (I think I've finally found the 'hook' around which to wrap the tale), and get cracking on my new novel.
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Wednesday, 5 December 2012

The Insecure Writer's Support Group - Dec Edition

Posted on 05:47 by Unknown


Hi. My name is Bob, and it's been 2 months since my last Insecure Writer's Support Group. LOL



Seriously, the IWSG in a once-monthly blog hop hosted by Alex J. Cavanaugh that provides authors with an avenue to share their doubts and concerns, and to offer one another encouragement and guidance. Every first Wednesday of the month we gather to connect with one another and share our insecurities.



In my last post I laid out my 30-day, 90-day, and 6-month plans for getting my writing back on track. No more procrastinating, no more distractions, no more excuses, and no more good intentions. It was time to stop thinking about being a writer, and start being a writer.



So, how have I done?



Well, things started off very well with my 30-day plan. I not only managed to polish off one of my lingering short stories, a twisted little piece entitled Domestic Musophobia, but I even got it submitted - twice. The first magazine came back with a quick rejection, so I submitted it again. Should hear back on that one within the month. I started polishing off a second story as well, tentatively entitled Death in an Elevator, although that got put on hold for a bit.



Why? And what about the rest of my plans?



Well, everything went out the window when I heard about the 2-week open submission window over at Harper Voyager. I was complaining to my wife about the timing, and how it didn't fit in with my 6 month plan, so she stepped in and suggested (okay, demanded) that I take a couple of weeks vacation, send the baby to daycare, and just write. So, that's what I did. For a little over 2 weeks I immersed myself in the novel, worked through some major character alterations, redefined a major plot point, drafted a few new scenes, tied up all the loose ends, and gave it all a good final polish.



It was an exhausting effort, but it was unbelievably rewarding to hit the 'submit' button on that digital submission form. In hindsight, I think that short-notice, narrow-window was precisely the thing I needed. Odds are, I would have found excuses to delay my 6-month plan, and found reasons not to let go of the manuscript. Thanks to my wife's persistence, Between the Waiting and the Damned is now out there, being read by somebody other than friends and family, and waiting for a decision.



If, come the end of January, I haven't heard back, then so be it. I have a few publishers in mind where I think it could do well, and I'll keep shopping it around until I make that sale.



As for what's next, I need to get Death in an Elevator polished and submitted, and then it's time to dive into that next novel. It's a bit daunting, but also extremely liberating - I've been living and breathing Between the Waiting and the Damned for what seems like a lifetime now, so it's time to start something new and completely different. Letting go of that first manuscript . . . just being able to decide that it was done, and didn't need any further work . . . was hard, but I think it's something every writer has to learn to do before they can move forward.
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Wednesday, 5 September 2012

The Insecure Writer's Support Group - Sept Edition

Posted on 05:00 by Unknown


The Insecure Writer's Support Group in a once-monthly blog hop hosted by Alex J. Cavanaugh. The idea is to provide authors with an avenue to share their doubts and concerns, and to offer one another encouragement and guidance. Every first Wednesday of the month we gather to connect with one another and share our insecurities.



No insecurities this month - instead, it's time to stop procrastinating, to stop thinking about being a writer, and start being a writer. No more excuses, no more distractions, and no more good intentions. I've thought long and hard about what I need to do, and I've put together a 3 step plan.



#1 - 30 Day Plan. I've given myself until the end of September to revisit, polish, and submit two of my unsold short stories for publication. I've researched the markets, matched a list of magazines and anthologies to the stories I feel have the most potential, and started the hard part - editing. I took one of the stories with me on a hike this weekend, sat down by the whirlpool rapids with nothing more than those pages and a red pen, and took no mercy on the manuscript. Next step is to make the edits on the screen, polish once more, run by a beta reader, and then submit.



#2 - 90 Day Plan. Not sure if this should really be a 60 day plan, since it overlaps with my 30 day plan, but I've given myself until the end of November to collate all my scraps of paper, my digital notes, and my margin scrawls into a revised story arc for my novel. Again, time to stop thinking about rewriting it and actually do it. I know where the weak points are, I know what I need to do to fix them, and I know what threads I need to splice, trim, or twist to make it all work. As much as I'd love to just start writing, I know I need that plan, that visual diagram on my wall to keep me focused. By the end of November that will be done.



#3 - 6 Month Plan. Again with the overlap, but this time only with plan #2. I've given myself until the end of March to get a next draft of my novel done and ready for a beta reader. I'm thinking that's realistic, especially once I have that visual road map in place, starting back at me from the wall. The first two chapters and the last four need to be scrapped and rewritten from scratch, and I think there are two or three new chapters to be added throughout, but otherwise the story is solid.



Will everything work out perfectly? Of course not. Will there be things that come up at work or at home that will impact my plans? Of course. Does that mean my plans have to change? Absolutely not! No more tweaking my plans because life got busy. I made plans for a reason. I need to stick with them, follow them, and find (or make) time to keep myself on track. I'm not saying it will be easy, but nothing worth doing ever is.
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Wednesday, 6 June 2012

The Insecure Writer's Support Group - June Edition

Posted on 05:19 by Unknown


The Insecure Writer's Support Group in a once-monthly blog hop hosted by Alex J. Cavanaugh. The idea is to provide authors with an avenue to share their doubts and concerns, and to offer one another encouragement and guidance. Every first Wednesday of the month we gather to connect with one another and share our insecurities.



My insecurity this month is entirely a vanity issue, but it does have far-reaching implications . . . and they are what, all too often, distract me from actually writing. It's all about names - real names, nicknames, and pen-names.



Under which name do I submit my manuscript?



To what name do I want to assign a legacy . . . be it good or bad?



Does the comfort of anonymity outweigh the pride of recognition?



Is it better to be freed from my inhibitions, or restrained within my better judgement?



Like I said, it's completely a vanity issue, but the implications and repercussions are forever. Part of me wants to publish under my real name and let friends, colleagues, family members do a double-take when they see the name on the shelves. I want them to wonder if it's really me, to buy it just in case it is, and then to reach out and let me know what they think. I want that recognition, that validation, and that acclaim.



On the other hand, part of me worries about what people might think. I wonder if they're going to read too much into the story or the characters and make assumptions about me. I don't want to have to face the awkward questions about why I wrote a character a certain way, why I adopted a certain theme . . . or just what the hell I was thinking when I wrote that!



For me, writing is an exercise in imagination, a complete and utter break from reality where I can tell whatever story I want, about whatever characters I want. I've written protagonists I would never want to meet in real life, and I've written villains that I take a guilty pleasure in admiring. I've written relationships that have completely shocked me, and I've written scenes that please me every time I reread them.



Yet, whenever I start thinking of the name issue, I find myself either becoming uncomfortably restrained, afraid to express what the story needs, or gleefully crossing all lines of good taste and propriety, simply because I can.



I keep telling myself to just finish the damn manuscript and think names later, but that little nagging doubt, that unanswerable question, seems to raise its head at the worst possible moments. One day I'm sure I'll get past it, make a decision, and then laugh at myself for every being so insecure . . . at least, I hope so. :)
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      • IWSG - Revisions, Restorations, and Reactions
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